Conversations with Salim, and perspectives on the music from around the world.
Interviews
These interviews are available in English; some also include Italian editions.
Interview
with Salim Ghazi Saeedi by Peter Thelen, Exposé Online, Elsewhere, Jan 2014
(Read)
Interview with Salim Ghazi Saeedi by
Graham Reid, Elsewhere, Feb 2013
(Read)
Interview with Salim Ghazi Saeedi by Pens
Eye View, as feature artist, Feb 2013
(Read)
Interview with Salim Ghazi Saeedi, The
Rocktologist #22, Rok Podgrajšek, Dec 2012
(Read)
Interview with Salim Ghazi Saeedi by Rafael Jovine,Vents Magazine #28,Oct 2013 (Read)
Interview with Salim Ghazi Saeedi, Music
Street Journal, Gary Hill, Dec 2010 (Read)
Interview with Salim Ghazi Saeedi, Stave
Magazine, Christy Claxton, August 2010
(Read)
Interview with Arashk,
Progarchives.com, Torrod Fuglestag, May 2010
(Read)
Reviews
Browse review excerpts by language. Each snippet includes its original credit and a link to the full piece.
8 review snippets
Slovenian8
»Glasba občasno ponuja takšno temačnost kot pri Univers Zero.« – Dolf Mulder, "Iconophobic Review", Vital Weekly, #767, Jan 2011
»daleč odmaknjeno od avantgardnih delov kateregakoli glasbenega vesolja« – Olav Martin Bjørnsen, "Iconophobic Review", Progressor.net, Feb 2011
»Previdno hodite, če vstopate v svet Salima Ghazija Saeedija in albuma Iconophobic. Pa ne recite, da vas nisem opozoril.« –John O’Boyle, "Iconophobic Review", Iconophobic Review, DPRP, Volume 67, 2010
»Iconophobic je Saeedijeva mogočna izjava o življenju v njegovem domačem mestu, Teheranu.« – Steven Reid, "Iconophobic Review", Sea of Tranquility, September 28th 2010
»Brez proste delitve informacij, te bo globoko srce stvaritelja srečno spremenilo.« – Christy Claxton, "Iconophobic Review", Stave Magazine, Aug 2010
»Nikoli ni predvidljiv, trudi se dodati kakšen disonančen ali aritmičen segment, medtem ko trde kitare in hipnotične violine ustvarjajo presunljive kontraste...« – Windhawk, "Ustuqus-al-Uss Review", ProgArchives, May 23, 2009
»...Hendrix in Santana sta očitno podučila fenomenalnega kitarskega genija, za katerega se Salim Ghazi Saeedi resnično izkaže.« –Richard Poulin, "Abrahadabra Review", Gnosis2000, Mei 2008
»Po previdem poslušanju se nisem mogel spomniti določenih izvajalcev, ki so na njih vplivali bolj kot kateri drugi. Pravzaprav nisem mogel določiti nobenih vplivov.« – Olav M Bjornson, "Abrahadabra Review", Progressor.net