Home / Entertain / Ringtone / Read / Write / More

News / Bio / Interviews / Reviews / Blog


Biography

Salim Ghazi Saeedi born in 1981 in Iran, Tehran. He began playing guitar in 1999. He has composed three albums "Abrahadabra" (2006), "Sovereign" (2007) and "Ustuqus-al-Uss" (2008) in the band "ARASHK". His fourth album, "Iconophobic" released in 2010 under his own title in which he played the roles of composer, guitarist, keyboard player, drums arranger, mixing engineer and producer. Some critiques have compared his sound to Univers Zero, Art Zoyd, John Zorn, Patrick O'Hearn, Mike Oldfield, Sufjan Stevens and The Enid. Harmonie Magazine #70 compares his guitar playing with Robert Fripp's. His albums are concept albums in progressive rock genre with diversified use of instruments ranging from classical instruments to rock instrumentation and electronic sounds. He describes himself as "an ever improviser... either in performing or composing."

Top / News / Bio / Interviews / Reviews / Blog


Interviews

Music Street Journal Interview with Salim Ghazi Saeedi, Dec 2010

Stave Magazine's Interview with Salim Ghazi Saeedi, August 2010

Progarchives.com interview with Arashk, May 2010

Top / News / Bio / Interviews / Reviews / Blog


Reviews

"Shades of Frank Zappa, King Crimson and Ian Carr..." 

‎"...a great deal of variation in the sounds and textures contained within the excellent disc."
-On Iconophobic Album, Terrascope Online, Phil McMullen, Dec 2010
(Read more)

"The music has from time to time the same darkness as we know from Univers Zero."
"I think we have an original talent here."
-Iconophobic Review, Vital Weekly, #767, Dolf Mulder, Jan 2011
(Read more)

"far removed from the avant-garde parts of any musical universe"
"rich variety of textures with different stylistic expressions and cultural backgrounds"
-Iconophobic Review, Progressor.net, Olav Martin Bj?nsen, Feb 2011
(Read more)

"Highly recommended, particularly to an open-minded art rock audience."
-Iconophobic Review, Progarchives.com, Windhawk, Apr 2011
(Read more)

"He lets the soundscape travel where it will to go with delightful originality as the scenes in his iconophobic movie progress."
-Iconophobic Review, Roman Midnight Music, Aaron Joy, Mar 2011
(Read more)

"A real unique progressive instrumental album."
-Iconophobic Review, Harmonic Lizard, Todders (Adrian Jones), Nov 2010
(Read more)

"In many ways it would be more natural to hear this kind of music coming from a French performer than an Iranian one."
-Iconophobic Review, Music Street Journal, Issue 85, Gary Hill, Dec 2010
(Read more)

"You need to tread carefully if you are entering the Iconophobic world of Salim Ghazi Saeedi. You have been warned."
-Iconophobic Review, DPRP, 2010, Volume 67, John O?Boyle, Dec 2010
(Read more)

"Without information freely given, the visceral heart of the creator will serendipitously change you."
-Iconophobic Review, Stave Magazine, Christy Claxton, Aug 2010
(Read more)

MORE REVIEWS in 7 languages at non-mobile version

Top / News / Bio / Interviews / Reviews / Blog

(c) Salim Ghazi Saeedi
www.salimworld.com